Alexander Scheer’s Eightball is absolutely psychotic, and it’s easy to tell that he’s having a ball nailing whatever it is that gets thrown at him. Kais Setti’s Farid is easily going to be a character favorite, delivering an empathy and relatable that resounds off the screen. As she becomes more monstrous, her grasp of the creature’s physicality is outstanding. It is all too easy to believe in what we see onscreen. Peri Baumeister’s Nadja is multi-faceted, and Baumeister handles her character’s internal struggle with ease. ![]() And what sells it even further is how willing all the actors are to sink their teeth into the material. The dial is steadily increased and, just when you think things can’t get more intense, they most definitely do. The way things are laid out by screenwriters Thorwarth and Stefan Holtz is a masterclass in how to keep viewers on their toes. From there, BLOOD RED SKY is the equivalent of slowly boiling a frog alive. The film sets the mystery early on, capturing the viewer’s attention within the first opening five minutes. But, from Nadja’s perspective, once her condition becomes known to the rest of the passengers and hijackers on board, she has to fight to ensure no one becomes like her – a vampire. At the film’s core, the fight for survival is imminent. While the terrorists are prepared, they weren’t prepared for Nadja and the secrets she keeps within. ![]() While in the air, things take an unsuspected turn when a group of terrorists violently take control of the plane, threatening the lives of the passengers in the process. Nadja suffers from a mysterious illness that requires frequent injections of some sort of drug concoction. Viewers are introduced to Nadja (Peri Baumeister) and her son Elias (Carl Anton Koch), who are on an overnight flight from Germany to New York. In BLOOD RED SKY, the film initially starts off in media res before jumping back to the beginning of the story. The film stars Peri Baumeister (“The Last Kingdom”, Little Miss Doolittle), Kais Setti (“Dogs of Berlin”, Tracing Addai), Alexander Scheer ( The Aftermath, Pirates of the Caribbean: Dead Men Tell No Tales), Dominic Purcell (“DC’s Legends of Tomorrow”, “Prison Break”), and Graham McTavish (“Outlander”, The Hobbit: An Unexpected Journey). The dial is ramped all the way up and viewers will find it difficult to pull away as they wait to see what happens next in this exciting vampire thriller. This is definitely the case in Peter Thorwarth’s BLOOD RED SKY, a tale that starts off initially as a hijack thriller situation, but then turns into something more. We come back to them as a source of inspiration and, more often than not, the creature always manages to be interpreted in a fresh way. Vampires are an age-old staple of horror.
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